Actor, Soundtrack
Birthdate: Mar 14, 1980
Birthplace: Yao, Osaka, Japan
Munetaka Aoki was born on 14 March 1980 in Yao, Osaka, Japan. He is an actor, known for The Roundup: No Way Out (2023), Godzilla Minus One (2023) and Rurouni Kenshin: Final Chapter Part I - The Final (2021). He has been married to Yûka since 27 June 2016.

(2021)

(2016)
Upcoming (2)

Set in 1949, the Shikishima family confronts a fresh catastrophe two years after surviving their previous ordeal with the legendary monster.

Based on Honobu Yonezawa's novel. Set in 16th century Japan, follows Lord Murashige Araki who, besieged in his castle, confronts mysterious crimes and allies with imprisoned strategist Kanbei Kuroda to uncover the truth.
Previous (47)

A medieval princess on a quest to avenge her father's death awakens in a realm between life and death, where she encounters an idealistic young man from the present day who shows her the possibility of a future free of bitterness and rage.

Friendship shared between Karin, a strong-minded girl sent to live with her monk granddad in the Japanese countryside, and Anzu, the even-more unpredictable phantom feline who acts as her guardian.

Post-war Japan is at its lowest point when a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb.

Seven years after the roundup in Vietnam, Ma Seok-do joins a new squad to investigate a murder case. He soon starts to dig deeper when he finds out the case involves a synthetic drug and a gang of thugs.

As former detective Akikazu searches for his missing daughter, Kanako, he soon learns she has a mysterious secret life.

Rurouni Kenshin Part I: Origins
In the years following the Bakumatsu war, a legendary assassin known as the Hitokiri Battosai vanished. He now calls himself Himura Kenshin, wanders the countryside with a reverse-blade sword, and has sworn never to kill again. When he arrives in Tokyo, a local dojo owner and a ruthless drug lord pull him back into a world he tried to leave behind. An action film about atonement, identity, and what it means to put down a weapon for good.
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